Jane has lost everything: job, mother, relationship, even her home. A friend calls to offer an unusual deal—a cottage above the crashing surf of Big Sur on the estate of his employer, Evan Rochester. In return, Jane will tutor his teenage daughter. She accepts.
But nothing is quite as it seems at the Rochester estate. Though he’s been accused of murdering his glamorous and troubled wife, Evan Rochester insists she drowned herself. Jane is skeptical, but she still finds herself falling for the brilliant and secretive entrepreneur and growing close to his daughter.
And yet her deepening feelings for Evan can’t disguise dark suspicions aroused when a ghostly presence repeatedly appears in the night’s mist and fog. Jane embarks on an intense search for answers and uncovers evidence that soon puts Evan’s innocence into question. She’s determined to discover what really happened that fateful night, but what will the truth cost her?
Jane Eyre for the Modern Age with Lindsay Marcott
What is it about Jane Eyre that has made it a blockbuster for over a hundred and seventy years? The breathtaking writing, yes. The gripping plot: part Gothic romance, part coming-of-age story. The swooning romance between a rich man and a poor orphan, and the shock of the mad wife secreted in an attic.
But I think most of all it’s the voice of Jane herself: a young woman with an extraordinary sense of her own worth and independence. A voice that was revolutionary in 1847 when Charlotte Brontë published it. At the time, women had little say outside family and home. Their career opportunities outside of marriage were limited to underpaid servants and schoolteachers. Female characters in early Victorian novels were usually portrayed as either sugary too-good-to-be-true angels or fallen women seeking repentance.
Jane is neither. She’s constricted by the society she lives in–she needs to keep a stifling job as a governess or else starve to death—but she makes it clear she’d rather starve than sacrifice her will or stifle her intelligence. As a child, she has a temper and a will, even though she’s punished harshly for it. Later, when her employer, Mr. Rochester, grills her, she responds with strong opinions and engages in spirited debates. And when he tempts her to go live in sin with him in Europe, she escapes through the only means available to her—by running off to the surrounding moors, though it probably means she will die in those wilds. And she will not return to him until she learns he has fundamentally changed, and she can now love him passionately and physically without compromising her true self.
I believe it’s this will and independence of Jane’s that keep modern readers coming back for more (not to mention that throbbing romance!), and these are the same elements that inspire continual adaptations of the story. I had long dreamed of creating modern versions of these characters, because they so thrilled and delighted me and taught me life lessons over many years of my rereading the book. A nervy dream, yes. But also one that presented huge challenges: there are so many elements of the book that just won’t fly in an updated story.
For example: a current-day Jane would not be able to keep her curiosity under wraps about all the strange and spooky things going on in Mr. Rochester’s house. She wouldn’t just accept vague explanations or agree to his request to simply not ask about them. She would be itching to find out more.
Also a sexual relationship outside of marriage is no longer a taboo for most women of today. Jane wouldn’t have to flee that temptation. And of course a modern Mr. Rochester would be able to divorce a mad wife, though no doubt having to pay a heavy alimony for her future care. So that’s no longer even an obstacle.
But lies are always a problem in a relationship. Especially big lies.
A secret bigamist is a pretty big lie.
Being a secret murderer would be an even bigger one.
It was thinking about this that gave me the idea of adapting the book as a modern thriller. One in which Rochester does not have a stashed-away wife—instead he’s suspected of murdering a famous wife who has now disappeared. Jane would have to surreptitiously seek out the truth about him–guilty or not?–before she could give in to falling in love. And when spooky things happened, she would need to confront those as well. She would be risking an enormous amount. Losing the love of her life. And maybe also losing her life.
And so I set about writing a thriller, adding startling new twists, putting in jumps and shivers. The result is Mrs. Rochester’s Ghost. It was a joy to write, and I certainly hope it’s an equal joy to read.
Thank you, Lindsay Marcott and Morgan Doremus
About the author
Lindsay Marcott is the author of The Producer’s Daughter and six previous novels written as Lindsay Maracotta. Her books have been translated into eleven languages and adapted for cable. She also wrote for the Emmy-nominated HBO series The Hitchhiker and co-produced a number of films. She lives on the coast of California.
a digital copy of the book and $20 amazon gift card